An archive of discontinued VST plugins from Psychic Modulation dating back to 2002.
https://archive.org/details/PMLegacyPlugins
lunes, 29 de octubre de 2018
Anaglyph Binaural
High-definition Binaural spatialization engine.
Integrating the results of over a decade of spatial hearing research into a high-precision binaural rendering engine.
Anaglyph is part of an ongoing research effort into the perceptual and technical capabilities of binaural rendering. The latest incarnation, Anaglyph VST, has been designed as an audio plugin to both support ongoing research efforts as well as to make accessible the fruits of this research to audio engineers through traditional existing DAW environments. Amongst its features, Anaglyph includes a personalizable morphological ITD model, near-field ILD corrections and HRTFparallax selection, a Localisation Enhancer, an Externalisation Booster, and SOFA HRIR file support.
http://anaglyph.dalembert.upmc.fr/?fbclid=IwAR1qAhNHUJ0_RYmE68QEbi3QXrdgQIh5iQrep78m00MCQTCAxNYfHJAK8cY

Integrating the results of over a decade of spatial hearing research into a high-precision binaural rendering engine.
Anaglyph is part of an ongoing research effort into the perceptual and technical capabilities of binaural rendering. The latest incarnation, Anaglyph VST, has been designed as an audio plugin to both support ongoing research efforts as well as to make accessible the fruits of this research to audio engineers through traditional existing DAW environments. Amongst its features, Anaglyph includes a personalizable morphological ITD model, near-field ILD corrections and HRTFparallax selection, a Localisation Enhancer, an Externalisation Booster, and SOFA HRIR file support.
http://anaglyph.dalembert.upmc.fr/?fbclid=IwAR1qAhNHUJ0_RYmE68QEbi3QXrdgQIh5iQrep78m00MCQTCAxNYfHJAK8cY

lunes, 15 de octubre de 2018
eq30
EQ30 — Freeware Windows VST equalizer unit
Modeled on Alesis M-EQ 230 dual 1/3 octave precision equalizer
Bands: 2 complete 30 band 1/3 octave equalizers.
Band Boost/Cut: ±12dB.
Controls: 25 / 31 / 40 / 50 / 62 / 80 / 100 / 125 / 160 / 200 / 250 / 320 / 400 / 500 / 640 / 800 / 1k / 1.3k / 1.6k/ 2k / 2.5k / 3.15k / 4k / 5k / 6.2k / 8k / 10k / 13k / 16k / 20kHz levels.
Monitor: Input ▶, Gain ▲ , Output ▶ and Text Display.
http://www.discodsp.com/eq30/
Modeled on Alesis M-EQ 230 dual 1/3 octave precision equalizer
Bands: 2 complete 30 band 1/3 octave equalizers.
Band Boost/Cut: ±12dB.
Controls: 25 / 31 / 40 / 50 / 62 / 80 / 100 / 125 / 160 / 200 / 250 / 320 / 400 / 500 / 640 / 800 / 1k / 1.3k / 1.6k/ 2k / 2.5k / 3.15k / 4k / 5k / 6.2k / 8k / 10k / 13k / 16k / 20kHz levels.
Monitor: Input ▶, Gain ▲ , Output ▶ and Text Display.
http://www.discodsp.com/eq30/
MIA Muscle, MIA Thin and MIA Fat
MIA Laboratories has released MIA Muscle, MIA Thin and MIA Fat, free smart and easy-to-use tools for all audio users.
Three light, smart and easy-to-use tools for all audio users.
One knob away to your desired outcome – error free – all based on your taste. Great for mixing, mastering and live PA use.
Their names represent what they do to your sound. And they are for free.
MIA Muscle
- Increases perceived loudness and presence without compression.
- Great for all music genres.
MIA Thin
- Lift up that track and give it some ethereal essence.
- Recommended for material that may sound dull.
MIA Fat
- Add the desired extra Grease in your sound with the turn of just one knob.
- Recommended for club mixes and genres such as Techno, Dub, Reggae and RnB.
https://mialaboratories.com/plugins/
Three light, smart and easy-to-use tools for all audio users.
One knob away to your desired outcome – error free – all based on your taste. Great for mixing, mastering and live PA use.
Their names represent what they do to your sound. And they are for free.
MIA Muscle
- Increases perceived loudness and presence without compression.
- Great for all music genres.
MIA Thin
- Lift up that track and give it some ethereal essence.
- Recommended for material that may sound dull.
MIA Fat
- Add the desired extra Grease in your sound with the turn of just one knob.
- Recommended for club mixes and genres such as Techno, Dub, Reggae and RnB.
https://mialaboratories.com/plugins/
Soundemote Rhythm and Pitch Generator analog-style arpeggiator
RaPG is an analog-style arpeggiator that can be run at audio rate for a quirky sound generator or locked to a tempo to generate inspiring melodic and rhythmic phrases based on a seed-based random sample-and-hold.
Features Robin Schmidt's TriSaw morphable oscillator which can be morphed (not crossfaded!) into tri, saw, square, sine, anti-sine, and everything inbetween, giving tones that range from chiptune squares to warm analog saws.
https://www.soundemote.com/labs#rapg
Features Robin Schmidt's TriSaw morphable oscillator which can be morphed (not crossfaded!) into tri, saw, square, sine, anti-sine, and everything inbetween, giving tones that range from chiptune squares to warm analog saws.
https://www.soundemote.com/labs#rapg
MonoFiltersBundle
A selection of filter plugins featuring stereo versions of the filters from MonoChord, along with a 8 step filter sequncer, and your usual LFO etc type controls. First released will be MonoKGFilter & MonoMGFilter. Based on the k35 filter found in the MS20 & the Moog ladder filter.
http://maeaudio.com/downloads
http://maeaudio.com/downloads
domingo, 7 de octubre de 2018
KlirrFactory FILTA
FILTA is a stereo doubly-resonant Lowpass Filter based on the work on Will Pirkle. For more information check the Link 😉
This special fun with this filter is to have 2 resonant frequencies (instead of one).
http://klirrfactory.com/product/klirrfactory-filta-free-vst2-vst3-au-plugin/
This special fun with this filter is to have 2 resonant frequencies (instead of one).
http://klirrfactory.com/product/klirrfactory-filta-free-vst2-vst3-au-plugin/
viernes, 28 de septiembre de 2018
Vember Audio Surge synth
Surge virtual hybrid synthesizer is now re-released as open-source software.
Wavetable oscillators and FM-style algorithms, Surge is capable of creating some pretty sparkling sounds, but it also has analogue-style functions that make it suitable for producing vintage keyboard tones.
It is a hybrid subtractive synthesizer boasting a dual synth engine, three oscillators per voice with eight oscillator algorithms (analog, FM, wavetable, audio input, and more), 183 wavetables, two filter units with eight filter types, twelve highly customizable LFO modules per voice, eight FX slots with ten FX types to choose from, and a modulation matrix. The instrument comes packed with 1,010 presets which are organized into categories for easy browsing.
http://vemberaudio.se/surge.php
Wavetable oscillators and FM-style algorithms, Surge is capable of creating some pretty sparkling sounds, but it also has analogue-style functions that make it suitable for producing vintage keyboard tones.
It is a hybrid subtractive synthesizer boasting a dual synth engine, three oscillators per voice with eight oscillator algorithms (analog, FM, wavetable, audio input, and more), 183 wavetables, two filter units with eight filter types, twelve highly customizable LFO modules per voice, eight FX slots with ten FX types to choose from, and a modulation matrix. The instrument comes packed with 1,010 presets which are organized into categories for easy browsing.
http://vemberaudio.se/surge.php
jueves, 12 de julio de 2018
dpMeter 3
dpMeter 3, free digital precision meter plugin including loudness matching.
dpMeter 3 is a precise digital audio multi channel meter including RMS, EBU R 128 and TruePeak (intersample) measurement. It is the successor of the very popular dpMeter II and adds GUI resizing and preset management.
- Click-free 64-bit internal processing
- 2 measurement modes: RMS/EBU R 128
- Multi channel metering: 2-6 RMS channels, 2.0 stereo, 4.0, 4.1 and 5.1 surround
- RMS: integrated, momentary, peak and true peak
- EBU R 128: integrated, momentary, short term, true pack and loudness range
- True peak measurement based on ITU BS.1770-4
- K/A/B/C/M-weighting filter
- Continuous/synced measurement
- Record metering results as automation data
- Large and accurate live meters
- Adjustable pre-gain
- Manual loudness/peak/TP match with given reference level
- Loudness delta mode
- GUI scaling
https://www.tb-software.com/TBProAudio/index.html
dpMeter 3 is a precise digital audio multi channel meter including RMS, EBU R 128 and TruePeak (intersample) measurement. It is the successor of the very popular dpMeter II and adds GUI resizing and preset management.
- Click-free 64-bit internal processing
- 2 measurement modes: RMS/EBU R 128
- Multi channel metering: 2-6 RMS channels, 2.0 stereo, 4.0, 4.1 and 5.1 surround
- RMS: integrated, momentary, peak and true peak
- EBU R 128: integrated, momentary, short term, true pack and loudness range
- True peak measurement based on ITU BS.1770-4
- K/A/B/C/M-weighting filter
- Continuous/synced measurement
- Record metering results as automation data
- Large and accurate live meters
- Adjustable pre-gain
- Manual loudness/peak/TP match with given reference level
- Loudness delta mode
- GUI scaling
https://www.tb-software.com/TBProAudio/index.html
lunes, 11 de junio de 2018
Regrader Lo-Fi Delay
Regrader features multiple audio-degrading modules in the feedback path, resulting in an interesting lo-fi effect. Apart from the basic Echoes section which controls the delay time, feedback, and mix, the plugin also includes a Filter section, as well as Gravel, Horror, and Warble modules. Gravel and Warble control stereo and pitch modulation, whereas Horror distorts the feedback signal via bitcrushing and sample rate reduction. The Filter module contains a resonant low-pass filter which can be modulated as well.
https://www.igorski.nl/download/regrader--degenerative-delay-processor
https://www.igorski.nl/download/regrader--degenerative-delay-processor
Buzz Cut Audio Clipper
Buzz Cut is a clipper effect featuring a live waveform display which shows the amplitude of the incoming audio signal in real time. The waveform display also shows the area affected by the clipper circuit to help visualize the amount of applied clipping. The plugin’s features are somewhat reminiscent of the old GClip effect by GVST.
https://www.gmhaudio.com/buzzcut
https://www.gmhaudio.com/buzzcut
Maths
SocaLabs has introduced Maths, a freeware VST/AU plugin for processing stereo audio signals based on user-definable math formulas.
Maths is definitely not your standard audio effect. Instead of using knobs and sliders to shape the sound, the user should instead input a formula which will tell the plugin what to do. It is possible to define up to four automatable parameters which can be adjusted using the four provided knobs or via
DAW automation. Maths supports 25 built-in functions, fourteen operators, and one ternary operator.
http://socalabs.com/developer-tools/maths/
Maths is definitely not your standard audio effect. Instead of using knobs and sliders to shape the sound, the user should instead input a formula which will tell the plugin what to do. It is possible to define up to four automatable parameters which can be adjusted using the four provided knobs or via
DAW automation. Maths supports 25 built-in functions, fourteen operators, and one ternary operator.
http://socalabs.com/developer-tools/maths/
Bark Of Dog 2 High-Pass Filter
Bark of Dog 2 is a resonant high-pass filter plugin designed for cleaning up the extreme bass frequencies while, at the same time, being able to boost a part of the low-end spectrum. The new version of the plugin expands on the original Bark of Dog by introducing two additional filtering modes: Passive and Combo. The default mode, labeled Classic, is exactly the same as the original Bark of Dog’s single processing mode.
The new filtering modes: The first one, called Passive, is modeled after the classic Pultec passive equalizer design. This filter design is famous because of the “Pultec low-end trick” for boosting the bass frequencies, also known as the “push-pull technique”. The technique essentially consists of removing unwanted bass content while also boosting the cutoff frequency, thus increasing clarity and improving the bass presence at the same time. Bark of Dog 2 does the latter while operating in Passive mode, using the Boost knob to add more bass at the cutoff point. However, when set to Passive mode, Bark of Dog 2 doesn’t remove any frequency content below the cutoff point. It simply works as a single peak EQ band with a fixed curve.
https://www.bozdigitallabs.com/product/bark-of-dog/
The new filtering modes: The first one, called Passive, is modeled after the classic Pultec passive equalizer design. This filter design is famous because of the “Pultec low-end trick” for boosting the bass frequencies, also known as the “push-pull technique”. The technique essentially consists of removing unwanted bass content while also boosting the cutoff frequency, thus increasing clarity and improving the bass presence at the same time. Bark of Dog 2 does the latter while operating in Passive mode, using the Boost knob to add more bass at the cutoff point. However, when set to Passive mode, Bark of Dog 2 doesn’t remove any frequency content below the cutoff point. It simply works as a single peak EQ band with a fixed curve.
https://www.bozdigitallabs.com/product/bark-of-dog/
Suscribirse a:
Comentarios (Atom)











