With such a wide range for adjustments, the Range control in Moss Equalizer is particularly helpful. It lets you specify the minimum and maximum amplitude manually, in dB. Furthermore, the FFT algorithm can be adjusted manually as well with the provided FFT Size control.
Below it, you can choose a visual theme for the interface. Other options include Logarithmic Level and Spline Curves display, a Limiter, a Bypass switch, and a Dry/Wet mix knob for blending dry and equalized signals to taste.
An exciting feature we rarely see in other equalizer plugins is the comb filter modeling. Dialed in purposefully, it is capable of creating a vocoder-like effect. This is accomplished by using frequency characteristics that visually resemble a comb with sharp teeth, so to say. Its peak frequencies are tuned according to musical tonalities and their respective overtones.
Another useful and innovative feature is the ability to load frequency response files. The custom .MEB file format is a plain text file that can be edited with any text editor. The developer has provided a set of example files with comb filter characteristics to help new users explore the plugin’s musical filtering abilities more easily.
What’s even more interesting is that you can load frequency characteristics with a MIDI controller via regular CC mapping. This way, you can actually “play” the comb filters, not unlike a real vocoder.
http://stone-voices.ru/vst/moss_equalizer?lang=en
