- Two channels with independent gain/volume
- ECC83 & EL34 simulation
- Based on analog time model
- Full tone stack
- Drive is volume responsive
- Two springs reverb models
- Five cabinet models
lunes, 26 de diciembre de 2016
ToneDeluxe amp
The ToneDeluxe is designed as a full analog tube amplifier from preamp stage to cabinet. Based on ECC83 and EL34 tubes, its analog time model design allows to reduce the delay of the signal processing and thus give a "pleasure of playing" for guitarists. It offers two independent channels : clean and high gain. The high gain chanel is versatile thanks to the DriveTone setting that cut/boost high frequency before the tone stack.
martes, 20 de diciembre de 2016
TapeDither and SpatializeDither
Airwindows has released TapeDither and SpatializeDither
TapeDither
TL;DW: TPDF variant with noise like reel-to-reel tape.
http://www.airwindows.com/tapedither/
[ no GUI ]
TapeDither
TL;DW: TPDF variant with noise like reel-to-reel tape.
http://www.airwindows.com/tapedither/
[ no GUI ]
Harmonics
The plugin provides 10 harmonics generators of which you can set the amplitude and phase, increasing or decreasing the impact of the harmonic on the input signal. The resulting sine wave equivalent shape is displayed on the right side of the GUI.
HoRNet Harmonics provides great flexibility and lets you create interesting distortion, try for instance to remove the fundamental frequency (set the first slider to zero) and create a “broken record” sound, or use one of the provided preset to explore the different possibilities offered by the plugin.
https://www.hornetplugins.com/plugins/hornet-harmonics/
domingo, 18 de diciembre de 2016
MIDI Choir
This Application will take a single-pitched audio source and transpose it in real time according to the supplied MIDI notes. My main motivation to create MIDI Choir was to be able to sing harmonies live, however the product may also be used for studio work. Below are some of its key features.
Reliable ASDF pitch tracker with voiced/unvoiced recognition
Reliable ASDF pitch tracker with voiced/unvoiced recognition
- Pitch tracking indicator
- Separate processing of voiced vs. unvoiced input, thereby preserving a natural, intelligible sound
- Voiced input will be re-pitched according to the keys pressed
- Polyphony with unlimited number of voices
- Octave, semitone and fine tunig controls
- Built-in noise gate with indicator
- Built-in soft knee limiter with color-coded LED indicator
- Built-in stereo reverb with controls for room size, damping, stereo width and dry/wet mix,
- Master volume control with output clipping indicator
- Effects may also be used without MIDI input
- Option of VST plugin or stand-alone executable
jueves, 15 de diciembre de 2016
Noisebud Chokidar EQ
Chokidar EQBalancing Mastering EQ
Chokidar EQ is intended for balancing mixes in mastering. Chokidar is build from an ingenious analogue concept that would have knocked your socks of if it wasn’t for the amount of added noise. When we went through the blue prints for the analogue circuits we realized that it would be fairly easy to make a digital version that would be completely noise free (digital “cabling” is good that way) so we went ahead and created the Hi-Shelf filter at first and got stunned how good it was. The principle seemed to migrate really well into the digital world so we decided to build the whole damn thing. You can almost guess what it does by just listen to it and you might as well do that because we’re going to keep the concept a secret, at least for now.
http://www.noisebud.se?page_id=12620
Chokidar EQ is intended for balancing mixes in mastering. Chokidar is build from an ingenious analogue concept that would have knocked your socks of if it wasn’t for the amount of added noise. When we went through the blue prints for the analogue circuits we realized that it would be fairly easy to make a digital version that would be completely noise free (digital “cabling” is good that way) so we went ahead and created the Hi-Shelf filter at first and got stunned how good it was. The principle seemed to migrate really well into the digital world so we decided to build the whole damn thing. You can almost guess what it does by just listen to it and you might as well do that because we’re going to keep the concept a secret, at least for now.
http://www.noisebud.se?page_id=12620
martes, 13 de diciembre de 2016
Wahman is a free audio plugin, wah-wah stomp emulation, based on real scheme.
Features
- 64-bit internal processing
- input level adjustment
- mono/stereo processing
http://www.nsp-vst.ru
Features
- 64-bit internal processing
- input level adjustment
- mono/stereo processing
http://www.nsp-vst.ru
BlackBooster
BlackBooster is a free audio plugin for Microsoft Windows, booster stomp emulation, based on real scheme.
- 64-bit internal processing
- input level adjustment
- mono/stereo processing
- 64-bit internal processing
- input level adjustment
- mono/stereo processing
domingo, 11 de diciembre de 2016
modulatedFilter
Features:
One filter width lowpass, highpass and bandpass
Band width and filter mix
One LFO working synchronously host with start position of oscillating.
LFO can modulate filter frequency, band width and filter mix.
http://vst.saschart.com/modulatedfilter
SIR spectrum analyzer
SpectrumAnalyzer is a state-of-the-art spectrum analyzer plugin, which offers a lot of opportunities to display the spectral content of your audio material and helps you create a better mix this way. SpectrumAnalyzer comes in two editions, a free and a full version.
SpectrumAnalyzer uses modern and reliable technics to analyze your audio material. It has a FFT (Fast-Fourier-Transform) and an analog-style (parallel band-pass IIR filter) engine, both of which can run simultaneously. So you can benefit from the more accurate time resolution of the band-pass filters and the better frequency resolution of the FFT at the same time. Check out the cool intelligent peak-detection, which automatically detects resonant frequency peaks in the signal. Use the snapshot function to easily save the current state of your analyzer, so you can compare the spectral profile of your current project with other songs. SpectrumAnalyzer also includes a VU-Meter (with peak and RMS measurement) and a Stereo Correlation Meter.
http://www.siraudiotools.com/Spectrum-Analyzer.php
SpectrumAnalyzer uses modern and reliable technics to analyze your audio material. It has a FFT (Fast-Fourier-Transform) and an analog-style (parallel band-pass IIR filter) engine, both of which can run simultaneously. So you can benefit from the more accurate time resolution of the band-pass filters and the better frequency resolution of the FFT at the same time. Check out the cool intelligent peak-detection, which automatically detects resonant frequency peaks in the signal. Use the snapshot function to easily save the current state of your analyzer, so you can compare the spectral profile of your current project with other songs. SpectrumAnalyzer also includes a VU-Meter (with peak and RMS measurement) and a Stereo Correlation Meter.
http://www.siraudiotools.com/Spectrum-Analyzer.php
HY-Filter2
There are both free/commercial version.
Free version has 2 filter modes(multi filter, reso filter),
commercial version has 7 filter modes(multi, reso, step, bank, stereo, gate).
http://hyakken.moo.jp/WordPress/product/hy-filter2/
Filterjam
https://www.audiothing.net/effects/filterjam/
martes, 29 de noviembre de 2016
Airwindows various
Airwindows plugins are modular, graphic-less, stripped-down, VST plugins.
why no GUI?
Airwindows’ reputation was built out of generic-interface plugins, which typically focus on doing only one thing, often with very simple controls, labelled to help understanding but not to encourage formulaic work. There are two reasons for the generic, non-GUI interfaces. One, because it improves reliability a huge amount (many audio plugin bugs, including showstopper bugs, have to do with the GUI part). Two, because time that could be spent debugging the GUI or tweaking its look—or writing copyprotect code—can be better spent improving the sound. That’s how Airwindows rolls, since 2007.
in mix, nobody can hear your screen
Airwindows is about listening. It’s about the sound being far more exciting than looking at the screen, because that’s all your audience will have to go by. If you get good feelings, it had better be about what you hear! The plugins naturally lend themselves to MIDI control, assigning sliders to control surfaces. Doing that, you can mix without watching pixels, and listen without being distracted by nonsounds.
why no GUI?
Airwindows’ reputation was built out of generic-interface plugins, which typically focus on doing only one thing, often with very simple controls, labelled to help understanding but not to encourage formulaic work. There are two reasons for the generic, non-GUI interfaces. One, because it improves reliability a huge amount (many audio plugin bugs, including showstopper bugs, have to do with the GUI part). Two, because time that could be spent debugging the GUI or tweaking its look—or writing copyprotect code—can be better spent improving the sound. That’s how Airwindows rolls, since 2007.
in mix, nobody can hear your screen
Airwindows is about listening. It’s about the sound being far more exciting than looking at the screen, because that’s all your audience will have to go by. If you get good feelings, it had better be about what you hear! The plugins naturally lend themselves to MIDI control, assigning sliders to control surfaces. Doing that, you can mix without watching pixels, and listen without being distracted by nonsounds.
PurestGain, Distance, SurgeTide, Point, ToneSlant...
X Crash
X Crash is a sampled 16 inch crash cymbal. This is an "explosive" crash from a well known cymbal maker. It was recorded using 3 microphones (one aiming at the top + a stereo pair to capture the room sound). You can mix the 2 tracks using different settings to sculpt its sound and get a wide sonic range.
Samples were carefully edited and chosen, they are long, from 18 to 20 seconds, and are organized on 4 velocity layers to get a natural sound and play.
http://www.vst4free.com/free_vst.php?plugin=X_Crash&id=2562
Samples were carefully edited and chosen, they are long, from 18 to 20 seconds, and are organized on 4 velocity layers to get a natural sound and play.
http://www.vst4free.com/free_vst.php?plugin=X_Crash&id=2562
jueves, 24 de noviembre de 2016
Sanford Cobalt synthesizer
Sanford Sound Design has set free its Cobalt synthesizer inspired by many of the digital synthesizers from the 1980s.
In the early 80s as digital technology became cheaper, many manufacturers designed synthesizers that combined earlier analog technology with newer digital technology. These were known as hybrid synthesizers. Well-known hybrid synthesizers are the Korg DW8000 and DW6000, the Ensoniq ESQ-1, and the Kawai K3.
In analog/digital hybrid synthesizers, the oscillators responsible for generating waveforms are digital while the filter section remains analog. This approach freed designers to use any kind of waveform; they were no longer restricted to traditional analog waveforms such as sawtooth, triangle, and pulse. However, by using an analog filter, these synthesizers retained the warmth earlier analog synthesizers were known for.
Though Cobalt is a purely digital synthesizer, its overall architecture is very much like those early hybrid synthesizers. It features a wide selection of waveforms, most of which were resynthesized from actual hybrid synthesizers, while providing traditional subtractive synthesis capabilities for sculpting its sound.
In the early 80s as digital technology became cheaper, many manufacturers designed synthesizers that combined earlier analog technology with newer digital technology. These were known as hybrid synthesizers. Well-known hybrid synthesizers are the Korg DW8000 and DW6000, the Ensoniq ESQ-1, and the Kawai K3.
In analog/digital hybrid synthesizers, the oscillators responsible for generating waveforms are digital while the filter section remains analog. This approach freed designers to use any kind of waveform; they were no longer restricted to traditional analog waveforms such as sawtooth, triangle, and pulse. However, by using an analog filter, these synthesizers retained the warmth earlier analog synthesizers were known for.
Though Cobalt is a purely digital synthesizer, its overall architecture is very much like those early hybrid synthesizers. It features a wide selection of waveforms, most of which were resynthesized from actual hybrid synthesizers, while providing traditional subtractive synthesis capabilities for sculpting its sound.
martes, 15 de noviembre de 2016
Xfer Pump compressor
Xfer Records OTT is a free re-creation of a popular aggressive multiband upwards/downwards compressor set-up used by many dubstep and electro producers.
https://splice.com/plugins/3788-ott-vst-au-by-xfer-records
https://splice.com/plugins/3788-ott-vst-au-by-xfer-records
jueves, 10 de noviembre de 2016
PanENV
panENV can position the output anywhere from left to right. Use envelope from midi input with attack, hold, and decay. Extremely low resources taken! Enhance your stereo signal!
Features:
Pan out from left to right with pan offset.
Envelope from midi input with attack, hold, and decay.
Pan width for stereo enhanced.
Pan offset to play around.
Enhance volume in sides for nice effects.
Few envelope shapes.
Persistent envelope after note off.
http://vst.saschart.com/panenv
Features:
Pan out from left to right with pan offset.
Envelope from midi input with attack, hold, and decay.
Pan width for stereo enhanced.
Pan offset to play around.
Enhance volume in sides for nice effects.
Few envelope shapes.
Persistent envelope after note off.
http://vst.saschart.com/panenv
viernes, 4 de noviembre de 2016
Archetype Instruments Lokomotiv
Another out-and-out dance-type synth, Locamotiv might not be that pretty –it’s pretty dark and just black and white – but has a fat sound. It has some fantastic basses and leads, and is ultra clean and perfect for today’s electronic music producer.
http://www.kvraudio.com/product/lokomotiv-by-archetype-instruments
http://www.kvraudio.com/product/lokomotiv-by-archetype-instruments
Kairatune
Kairatune is designed to produce crisp and tight electric sounds for electronic music production. Kairatune is engineered for the demanding producer who needs to push the sound to extremes without compromising audio quality.
Kairatune is not your all-in-one synthesizer. It’s designed and engineered to be as powerful and versatile as possible in it’s target role as your source for tight bass, unique lead and shiny SFX sounds.
http://futucraft.com/kairatune/
Kairatune is not your all-in-one synthesizer. It’s designed and engineered to be as powerful and versatile as possible in it’s target role as your source for tight bass, unique lead and shiny SFX sounds.
http://futucraft.com/kairatune/
miércoles, 19 de octubre de 2016
Beatzille
Beat Magazine's Beatzille is a less powerful, feature-limited version of U-He’s commercial Bazille virtual instrument. It features fewer oscillators, filters, effects and modulation sources than the full version and it also doesn’t feature voice stacking. On the other hand, Beatzille’s reduced feature set results in a lower overall CPU usage, which can actually be quite helpful for users with lower end computers.
Beatzille is available for free download via Beat Magazine’s Facebook page
http://ow.ly/XGnj305hL5u
Beatzille is available for free download via Beat Magazine’s Facebook page
http://ow.ly/XGnj305hL5u
jueves, 13 de octubre de 2016
Full Bucket Music
Synths:
- Ragnarök (Power synth)
- Nabla (KORG Delta DL-50 Strings Synthesizer)
- the Deputy (classic string machines and early "polyphonic" synthesizers)
- Kern (polyphonic software synthesizer to be fully controlled by modern MIDI keyboard controllers)
- The scroo (spectral formant synthesis )
- Mono/Poly ( classic KORG Mono/Poly)
- The bloo (classic subtractive synthesis)
- Frequency Shifter (effect)
martes, 11 de octubre de 2016
Brandulator
the new free plugin «Brandulator» of its own design that creates a special audio effect with a unique sound that is similar to the flanger, vocoder and the harmonizer, but has a different operating principle, in which the input signal is branched into three channels is adapted comb filters, tone their settings can be changed to 16th times per bar.
The effect also functions as a kind of arpeggiator that operates synchronously with the DAW, so the detailed design should have an appropriate time signature, although it is not required. Tonal settings of each channel can be set either manually using the controls, and accident in accordance with a predetermined harmonic law selected from the list, numbering about three hundred different harmonies. Randomization of tones can be performed either manually or automatically at the beginning of each bar 1,2,3..8.
http://www.kvraudio.com/forum/viewtopic.php?f=6&t=471245
The effect also functions as a kind of arpeggiator that operates synchronously with the DAW, so the detailed design should have an appropriate time signature, although it is not required. Tonal settings of each channel can be set either manually using the controls, and accident in accordance with a predetermined harmonic law selected from the list, numbering about three hundred different harmonies. Randomization of tones can be performed either manually or automatically at the beginning of each bar 1,2,3..8.
http://www.kvraudio.com/forum/viewtopic.php?f=6&t=471245
Beatmaker SL Drums
SL Drums 2 is a free VST drum machine, which with a single panel in the purest style drum-pad lets you create beats a fast and uncomplicated configuration. 8 pads to launch your rhythms, each with its own volume control, pan and release, SL Drums 2 is perfect for capturing ideas immediately.
- 59 standard stereo kits and 59 multi-outs.
- 44 new kits produced by Coldman Beats.
- 450+ drum samples.
- Each pad has its own volume controls, pan and release. Volume, pitch and reverb style analog overall effect (not including reverb in multi-out).
- Ultra low CPU usage.
Over Diver od82o
VST overdrive called "Over Diver od82o".
Basic features:
•64-bit internal processing;
•16x/8x/no oversampling;
•symmetrical/asymmetrical clipping;
•stereo processing;
•high/low quality processing;
•64/32-bit versions (Windows only).
http://www.kvraudio.com/forum/viewtopic.php?p=6580879
Basic features:
•64-bit internal processing;
•16x/8x/no oversampling;
•symmetrical/asymmetrical clipping;
•stereo processing;
•high/low quality processing;
•64/32-bit versions (Windows only).
http://www.kvraudio.com/forum/viewtopic.php?p=6580879
martes, 4 de octubre de 2016
iZotope Neutrino
Spectral shaping
Neutrino can be used to to reveal subtle amounts of detail that can elevate great mixes to a new level of refinement, say iZotope. The user can add balance and focus to their mixes by applying it to every track or the major mix buses (just like analog summing or console emulations).
Neutrino can be used to to reveal subtle amounts of detail that can elevate great mixes to a new level of refinement, say iZotope. The user can add balance and focus to their mixes by applying it to every track or the major mix buses (just like analog summing or console emulations).
- Neutrino includes 4 modes, tailored to specific instrument types:
- Voice: Adds clarity and detail to help vocals sit on top of the mix.
- Instrument: Preserves the authentic character of the instrument.
- Bass: Adds punch and weight to electric, acoustic, and synth basses.
- Drums: Emphasizes transient detail to avoid "muddy" mixes.
Voxengo MSED
Voxengo MSED 3.0, a free audio encoder-decoder plugin for mid-side processing.
MSED is able to encode (split) the incoming stereo signal into two components: mid-side pair, and vice versa: decode mid-side signal pair into stereo signal. MSED is also able to work in the "inline" mode with the ability to adjust mid and side channels' gain and panning without the need of using two plugin instances in sequence. MSED can be used to flip the phase of the mid and side channels by 180 degrees, and swap the stereo channels, and to extract the mid or side channel.
MSED features the "plasma" vector scope, stereo correlation and balance meters which make it easier to monitor the stereo information present in the audio signal.
http://www.voxengo.com/product/msed/
MSED is able to encode (split) the incoming stereo signal into two components: mid-side pair, and vice versa: decode mid-side signal pair into stereo signal. MSED is also able to work in the "inline" mode with the ability to adjust mid and side channels' gain and panning without the need of using two plugin instances in sequence. MSED can be used to flip the phase of the mid and side channels by 180 degrees, and swap the stereo channels, and to extract the mid or side channel.
MSED features the "plasma" vector scope, stereo correlation and balance meters which make it easier to monitor the stereo information present in the audio signal.
http://www.voxengo.com/product/msed/
RAS Vintage synth collection
Roberson Audio Synthesizers Vintage Synth Collection
RA Mowg is an emulation of a Moog Minimoog Model D.
An instrument that not only resembles the Minimoog in appearance, but delivers the same feel while playing. From the deep, full-bodied filters, to the mellow analog-style oscillators, to the distortive drive from feedback-looping the output, this instrument can give you the feeling of playing a Minimoog.
RA Mowg is an emulation of a Moog Minimoog Model D.
An instrument that not only resembles the Minimoog in appearance, but delivers the same feel while playing. From the deep, full-bodied filters, to the mellow analog-style oscillators, to the distortive drive from feedback-looping the output, this instrument can give you the feeling of playing a Minimoog.
Oddy-Free is an emulation of an Arp Odyssey Mk.II -
much attention to detail was given in the layout of the signal path to
have it behave as accurately as possible. It does have just a touch more
umph than most originals would - this particular emulation was based on
the "illegal" filter versions based on Moog's -24dB Low-Pass filter, so
it sounds quite a bit smoother and richer but at the same it can
produce the harsh metallic tones known from the Odyssey.
Prophanity is an emulation of a Sequential Circuits Prophet 5.
Much time was given for attention to detail in nearly every aspect of
the instrument, and most every subtlety has been accounted for.
The Mini-Vyn is an original virtual analog/subtractive
design, entered as a competition piece for KVR Audio's Developer
Competition circa 2006. With the ability to be monophonic as well as
polyphonic (and possessing a slightly different tonal quality between
the modes), the Mini-Vyn is also an incredibly flexible
"bread-and-butter" VA. To set it truly apart, the instrument has a
feedback-overdrive circuit of original Roberson Audio design that gives
the filter a rich and organic sound when pushed to the extreme.
TerVoxSyn is
Roberson Audio Synthesizer's very own Theremin emulation. A very
special filter model was designed to accurately capture the voice-like
sound of a true tube-type Theremin.
viernes, 30 de septiembre de 2016
OrilRiver Reverb
OrilRiver is a free algorithmic reverberation plugin available in VST2 format for Windows (in the future it is planned to develop for Mac).
With this plugin it is possible to simulate the reverberation of a small room and great hall.
Features OrilRiver:
- OrilRiver has a classic parameters such as "Damping", "Stereo width", "Pre-delay", "Room size", "Diffusion" and an parameter as "Damping intensity." which allows you to change the reverb decay time of high frequencies.
- 12 variations of the early reflections.
- 3 variations of the reverb tail.
- 3-band equalizer for the wet signal, which helps to create different shades of the virtual space.
- Reverb algorithm is written in assembly language, so signal processing provides a low CPU load.
- 64-bit internal signal processing.
http://www.kvraudio.com/product/orilriver-by-denis-tihanov
With this plugin it is possible to simulate the reverberation of a small room and great hall.
Features OrilRiver:
- OrilRiver has a classic parameters such as "Damping", "Stereo width", "Pre-delay", "Room size", "Diffusion" and an parameter as "Damping intensity." which allows you to change the reverb decay time of high frequencies.
- 12 variations of the early reflections.
- 3 variations of the reverb tail.
- 3-band equalizer for the wet signal, which helps to create different shades of the virtual space.
- Reverb algorithm is written in assembly language, so signal processing provides a low CPU load.
- 64-bit internal signal processing.
http://www.kvraudio.com/product/orilriver-by-denis-tihanov
sábado, 24 de septiembre de 2016
Stereo Delay
CodePlex / Sharki
Stereo Delay - it's a VST plugin. Independent delay line for both channels. You can control delay time (up to 1s), low pass filter and panorama for delay signal, feedback strength. Common controls for both channel it's mix of dry and wet signal and stereo width of delay signal. Created with JUCE Framework, VST SDK 2.4 and MSVC++.
http://stereodelay.codeplex.com/
Stereo Delay - it's a VST plugin. Independent delay line for both channels. You can control delay time (up to 1s), low pass filter and panorama for delay signal, feedback strength. Common controls for both channel it's mix of dry and wet signal and stereo width of delay signal. Created with JUCE Framework, VST SDK 2.4 and MSVC++.
http://stereodelay.codeplex.com/
OverDubber 2
OverDubber 2 is the sequel of the first freeware dub delay effect released back in the summer of 2013.
OverDubber 2 free delay VST can be used to get those morphing/distorting Dubstep tails (“Trippy tails”) sound effects.
This plugin is suitable for music styles like Dub, TripHop, DnB, also for EDM build ups when used with its pitch shifter.
This new version comes with some improved internal effects, a bigger user interface and some new features such as the pitch shifting module, a bitcrusher, a new multi-mode filter and the pitch-mod that simulates a reel control which can be used to increase or decrease the amount of the delayed signal.
More features to mention: two-tap delay, MIDI-Learn, panic button, the Explode button, and more others.
“Basically, OverDubber is a stereo delay plugin but it has a filter, a big crusher, a pitch shifter and an automatic stereo pitch LFO in the feedback loop, quite an unusual combo.”
http://www.producerspot.com/overdubber-2-free-delay-vst-plugin-by-klanglabs
OverDubber 2 free delay VST can be used to get those morphing/distorting Dubstep tails (“Trippy tails”) sound effects.
This plugin is suitable for music styles like Dub, TripHop, DnB, also for EDM build ups when used with its pitch shifter.
This new version comes with some improved internal effects, a bigger user interface and some new features such as the pitch shifting module, a bitcrusher, a new multi-mode filter and the pitch-mod that simulates a reel control which can be used to increase or decrease the amount of the delayed signal.
More features to mention: two-tap delay, MIDI-Learn, panic button, the Explode button, and more others.
“Basically, OverDubber is a stereo delay plugin but it has a filter, a big crusher, a pitch shifter and an automatic stereo pitch LFO in the feedback loop, quite an unusual combo.”
http://www.producerspot.com/overdubber-2-free-delay-vst-plugin-by-klanglabs
viernes, 23 de septiembre de 2016
lunes, 19 de septiembre de 2016
Bug Drive
This is a three band overdrive / distortion effect made together with Multree from Betabugs Audio. It’s quite simple and easy to use, but can produce quite nice overdrive effects if adjusted well to the respective sound source.
http://blog.jewe.org/?p=675
http://blog.jewe.org/?p=675
viernes, 16 de septiembre de 2016
HY-Mono
monophonic synthesizer
Based on the structure of Oberheim SEM.
It is a virtual analog monophonic synthesizer featuring two oscillators and a sub/noise generator, two ADS envelopes (no release parameter), a single LFO, portamento, a 2-slot modulation matrix, and a built-in delay effect. The user interface is fully resizable and also features a built-in patch browser with a rather well implemented patch randomization future. It is possible to prevent certain sections of the synth engine from changing their value when randomizing the patch, which is a neat touch.
Being a monophonic synth it is more than capable of creating some great sounding bass and lead sounds, as well as all sorts of noisy and blippy sound effects. The instrument sounds very nice overall (both the oscillators and the filters are quite decent) and it’s easy to program thanks to the well designed user interface.
http://hyakken.moo.jp/WordPress/product/hy-mono/
Based on the structure of Oberheim SEM.
It is a virtual analog monophonic synthesizer featuring two oscillators and a sub/noise generator, two ADS envelopes (no release parameter), a single LFO, portamento, a 2-slot modulation matrix, and a built-in delay effect. The user interface is fully resizable and also features a built-in patch browser with a rather well implemented patch randomization future. It is possible to prevent certain sections of the synth engine from changing their value when randomizing the patch, which is a neat touch.
Being a monophonic synth it is more than capable of creating some great sounding bass and lead sounds, as well as all sorts of noisy and blippy sound effects. The instrument sounds very nice overall (both the oscillators and the filters are quite decent) and it’s easy to program thanks to the well designed user interface.
http://hyakken.moo.jp/WordPress/product/hy-mono/
Exotic
The swedish developers JB and CPS have been released a small synth with two oscillators with 16 waveforms, two envelopes and LFOs, three effects (chorus, reverb and decimator) and one filter section with three different filter modes(LP, HP, BP). Additionally there’s a fatner to create sounds more wide and fat. The sounds are specificated for Melbourne Bounce and EDM styles.
http://www.noizefield.com/partner-projects/jb
http://www.noizefield.com/partner-projects/jb
Splash
The swedish software-developers of Infected Sounds (Johan and Carl) have released a new freeware synth called Splash. This synth has got four oscillators, two modulation- and one amp envelopes with individual slopes, two different matrixes (one for LFOs and envelopes each). Every oscillator has got 42 different waveforms. An effect section with distortion, bit reducer, 4-band-EQ, Chorus, Reverb is included too.
It’s suitable for music genres like Diablo House, Future House, Tropical House, Deep House, Melbourne Bounce and EDM as well.
http://www.noizefield.com/partner-projects/jb
It’s suitable for music genres like Diablo House, Future House, Tropical House, Deep House, Melbourne Bounce and EDM as well.
http://www.noizefield.com/partner-projects/jb
Xhip synth
xhe xxx-xated xound xource
Xhip was originally designed as a basic synthesizer used inside a tracker ("acid tracker") around 1999. Before that it had existed in pieces as small tools for generating samples to be used in more common trackers.
With the addition of a second oscillator, super-saw unison, two filters, a waveshaper, pairs of modulators (envelopes, and LFOs); Features like ringmod, xmod, filter input FM, saturation and global unison Xhip has become far more than its original intention.
Xhip allows you to produce the highest quality dual-oscillator polyphonic synthesizer sounds similar to classic poly synthesizers of the late 80s. Strings, synth pads, basses, leads, organs, pianos, percussions, bells, vocals, sound effects and more are demonstrated in the included bank.
http://xhip.net/synth/
Xhip was originally designed as a basic synthesizer used inside a tracker ("acid tracker") around 1999. Before that it had existed in pieces as small tools for generating samples to be used in more common trackers.
With the addition of a second oscillator, super-saw unison, two filters, a waveshaper, pairs of modulators (envelopes, and LFOs); Features like ringmod, xmod, filter input FM, saturation and global unison Xhip has become far more than its original intention.
Xhip allows you to produce the highest quality dual-oscillator polyphonic synthesizer sounds similar to classic poly synthesizers of the late 80s. Strings, synth pads, basses, leads, organs, pianos, percussions, bells, vocals, sound effects and more are demonstrated in the included bank.
http://xhip.net/synth/
jueves, 15 de septiembre de 2016
Xhip Effects
Xhip Effects
xhe xxx-xated xffects?
These effect plugins were originally created for use with Xhip. Originally Xhip was to have embedded effects. It was later decided that external plugins would be more versatile and easier to manage when used for other tasks.
The latest version of the Xhip Effects bundle consists of 13 plugins in total: clipper, compressor, envelope follower, noise gate, limiter, delay, multiplier, phaser, s&h quantizer, rectifier, reverb, tremolo and ring modulator.
The quality of the included plugins is very high and it’s quite surprising that Xhip’s freeware effects aren’t more popular. As a toolbox for every day mixing and sound design tasks, the Xhip Effects collection works quite well, especially for users with slower machines. Xhip’s plugins are very well optimized and they use only a tiny fraction of the available CPU resources. In fact, this is one of the most lightweight FX bundles around in terms of storage requirements as well. The installer is only 620 KB in size.
http://xhip.net/effects/
xhe xxx-xated xffects?
These effect plugins were originally created for use with Xhip. Originally Xhip was to have embedded effects. It was later decided that external plugins would be more versatile and easier to manage when used for other tasks.
The latest version of the Xhip Effects bundle consists of 13 plugins in total: clipper, compressor, envelope follower, noise gate, limiter, delay, multiplier, phaser, s&h quantizer, rectifier, reverb, tremolo and ring modulator.
The quality of the included plugins is very high and it’s quite surprising that Xhip’s freeware effects aren’t more popular. As a toolbox for every day mixing and sound design tasks, the Xhip Effects collection works quite well, especially for users with slower machines. Xhip’s plugins are very well optimized and they use only a tiny fraction of the available CPU resources. In fact, this is one of the most lightweight FX bundles around in terms of storage requirements as well. The installer is only 620 KB in size.
http://xhip.net/effects/
lunes, 12 de septiembre de 2016
SaschArt easyLimiter
easyLimiter is a simple lookahead limiter optimized for performance and ease of use. The plugin is quite transparent, even when pushed towards somewhat more extreme settings. It works best for quick limiting tasks, though, when used on individual tracks, or on a less busy bus and master channels.
Extremely lightweight in terms of CPU consumption, which seems to be one of the SaschArt’s priorities while developing his plugins (and rightfully so). This is particularly important when it comes to the limiter plugin, as it is one of the most CPU friendly limiters currently available.
http://vst.saschart.com/
Extremely lightweight in terms of CPU consumption, which seems to be one of the SaschArt’s priorities while developing his plugins (and rightfully so). This is particularly important when it comes to the limiter plugin, as it is one of the most CPU friendly limiters currently available.
http://vst.saschart.com/
domingo, 11 de septiembre de 2016
SaschArt delays
panDelay is a simple delay effect which allows the user to pan the
delayed signal towards the left or the right stereo channel. The
interface features only five control parameters: delay rate, pan,
feedback and a pair of dry/wet volume sliders. The controls are pretty
straightforward and the plugin itself is very easy to use. It’s worth
noting that the delay rate parameter is smooth, meaning that you won’t
hear any clicks or pops while changing the rate value (particularly
useful if you’re automating the rate parameter in your DAW).
smoothDelay
Double Delay with left and right separate knobs, smooth rate changing. Very low resources taken!
Double Delay for best left/right delay control....
pongDelay 2
smoothDelay
Double Delay with left and right separate knobs, smooth rate changing. Very low resources taken!
Double Delay for best left/right delay control....
pongDelay 2
Enhanced ping pong delay, smooth rate changing, pan width. Extremely low resources taken!
Easy delay for nice audio effects....
Easy delay for nice audio effects....
Voxengo Tempo Delay 2
Tempo Delay 2 is a stereo delay effect with separate multi-mode filters and tremolo effects in each channel. The control scheme is somewhat unusual, as it features an internal BPM setting (which can be freely adjusted or synced to the host application’s tempo setting) in addition to the Delay and Rep Period controls in both channels. The Delay parameter sets the initial delay time, whereas the Rep Period control determines the delay speed after that.
The built-in filters are quite aggressive, with rather wild resonance which sound great when combined with longer feedback times. Changing the BPM value while the delay is active results in a smooth pitch shifting effect which can be put to good use in a variety of sound design scenarios.
CTRL + drag will simultaneously change the same control parameter in the left and right channels, whereas CTRL + double click will set the clicked parameter to the same value in both channels.
http://www.voxengo.com/product/tempodelay/
The built-in filters are quite aggressive, with rather wild resonance which sound great when combined with longer feedback times. Changing the BPM value while the delay is active results in a smooth pitch shifting effect which can be put to good use in a variety of sound design scenarios.
CTRL + drag will simultaneously change the same control parameter in the left and right channels, whereas CTRL + double click will set the clicked parameter to the same value in both channels.
http://www.voxengo.com/product/tempodelay/
miércoles, 7 de septiembre de 2016
DX Reverb Light
The DX Reverb Light is the ULTIMATE FREE reverb plug-in for PC and Mac. The DX Reverb Light offers astonishing quality and extreme flexibility, allowing you to simulate from small rooms with sudden attacks and coloration characteristic of small spaces to large natural-sounding spaces with spread attack and build of a concert hall.
http://www.anwida.com/product.asp?pid=7
http://www.anwida.com/product.asp?pid=7
miércoles, 22 de junio de 2016
Semantic Audio SAFE project
Semantic Plugins
The SAFE Project is motivated by the lack of statistically-defined transferable semantic terms in music production and the requirement for more intuitive control of low-level parameters. One of the main outcomes of the project is a suite of DAW plug-ins that allow you to both save and load semantic terms from within the audio production workflow. This means you can now control your audio effect plug-ins using terms that normal human beings can understand! Just type a term (such as warm, bright, etc…) into the text-box, and if we have it on our server, your parameters will be moved around to represent this. Similarly, if you achieve an effect that can be explained in semantic terms, input it into the box and hit save. As the plug-ins are based on the music production community, the more users that input terms, the more representative the effects become for everyone else!
http://www.semanticaudio.co.uk/
The SAFE Project is motivated by the lack of statistically-defined transferable semantic terms in music production and the requirement for more intuitive control of low-level parameters. One of the main outcomes of the project is a suite of DAW plug-ins that allow you to both save and load semantic terms from within the audio production workflow. This means you can now control your audio effect plug-ins using terms that normal human beings can understand! Just type a term (such as warm, bright, etc…) into the text-box, and if we have it on our server, your parameters will be moved around to represent this. Similarly, if you achieve an effect that can be explained in semantic terms, input it into the box and hit save. As the plug-ins are based on the music production community, the more users that input terms, the more representative the effects become for everyone else!
http://www.semanticaudio.co.uk/
lunes, 13 de junio de 2016
Mercuriall TubesCreamer
Drive/Distortion effect
The modeling is based on a real circuit of the Ibanez TS-808.
Mod switch: "808" for a default sound of the Ibanez TS-808 and "Mod" for getting a cleaner sound with slightly more bass when "Drive" is at the minimum.
Low CPU usage.
Stereo and Mono modes.
Low (no oversampling) and High (4x oversampling) Quality switch.
The modeling is based on a real circuit of the Ibanez TS-808.
Mod switch: "808" for a default sound of the Ibanez TS-808 and "Mod" for getting a cleaner sound with slightly more bass when "Drive" is at the minimum.
Low CPU usage.
Stereo and Mono modes.
Low (no oversampling) and High (4x oversampling) Quality switch.
HY-Reso
three parallel chained bandpass filters
mostly based on structure of MAM RS3
modes of LFO to filter cutoff
Mode1 = LFO1(+) > BPF1, LFO1(+) > BPF2, LFO1(+) > BPF3
Mode2 = LFO1(+) > BPF1, LFO2(+/-) > BPF2, LFO1(+) > BPF3
Mode3 = LFO1(+) > BPF1, LFO1(-) > BPF2, LFO2(+/-) > BPF3
You can modulate filter frequencies by LFO and Env Follower.
There are 2 LFO units.
The speed of LFO2 is 1.3 times faster that LFO1.
http://hyakken.moo.jp/WordPress/product/hy-reso/
mostly based on structure of MAM RS3
modes of LFO to filter cutoff
Mode1 = LFO1(+) > BPF1, LFO1(+) > BPF2, LFO1(+) > BPF3
Mode2 = LFO1(+) > BPF1, LFO2(+/-) > BPF2, LFO1(+) > BPF3
Mode3 = LFO1(+) > BPF1, LFO1(-) > BPF2, LFO2(+/-) > BPF3
You can modulate filter frequencies by LFO and Env Follower.
There are 2 LFO units.
The speed of LFO2 is 1.3 times faster that LFO1.
http://hyakken.moo.jp/WordPress/product/hy-reso/
martes, 31 de mayo de 2016
jueves, 12 de mayo de 2016
inear display legacy plugins
These plugins were originally released between 2012 and early 2014.
GORGON
Agressive Distortion
R_MEM
Morphing Granulator
DANAIDES
Sequenced Sound Mangler
BOWECHO
Quad Modular Delay
SICKNDSTROY
Experimental LoFi Effect
https://ineardisplay.com/plugins/legacy/
GORGON
Agressive Distortion
R_MEM
Morphing Granulator
DANAIDES
Sequenced Sound Mangler
BOWECHO
Quad Modular Delay
SICKNDSTROY
Experimental LoFi Effect
https://ineardisplay.com/plugins/legacy/
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