martes, 30 de junio de 2020

Big-Sur Diode Clipper

Big-Sur is a freeware emulation of a diode clipper guitar pedal. There’s no information on which specific guitar stompbox is emulated, but the plugin seems to be based on the classic Big Muff distortion pedal. The developers describe Big-Sur as a stompbox that is suitable for distorted rhythm guitars and heavy leads, with a wide distortion spectrum and plenty of fuzz.
he interface features a bypass switch, four control knobs (Sustain, Level, Tone, and Mix), and two on/off switches – one for the Tone control and one for the oversampling feature. The user can also adjust the GUI size (from 80% to 125%) and control the graphics quality (useful for reducing the RAM usage).

lunes, 15 de junio de 2020


OccularScope is a bar or beat synchronised oscilloscope with side chain input.
  • View either a single beat or bar synchronised to your DAW
  • Line or filled waveform view
  • Can show side chain input overlaid or added to primary input
  • Freeze button
  • Fully scalable user interface
  • Dark and Light themes (or completely customise your own colour scheme)

Plasticity filter

PlasticityFilter is a dual mode filter offering a simplified interface to its high and low pass filters or a more complex mode of operation allowing complete independent control.

  • Simple mode with single frequency, resonance and drive controls offering high and low pass filtering.
  • Expert mode with independent controls for the high and low pass filters.
  • 12 or 24dB/oct Ladder filters.
  • Drive control ranging from subtle saturation to extremely overdriven sound.
  • Filter frequencies can be linked in expert mode with variable separation amount for bandpass and "vocal" sounding filter effects.


GalactiX 2.0, a free virtual synthesizer based on the old GalactiX plugin by Smartelectronix.
 The free version of GalactiX 2.0 is fully functional, except for DAW automation support (not available) and the inability to save user banks.

Sphere reverb

Sphere is an algorithmic reverb plugin based on a modified Schroeder reverberator model.
The three main controls are used to adjust the reverb’s early reflections, damping, and stereo width properties. Furthermore, the user can control the pre-delay time (up to 250 ms), feedback amount, and the cutoff frequency of the built-in low-pass filter.

jueves, 11 de junio de 2020


Tape Cassette 2 is an audio plugin that emulates the warmth, noise and character of old tape cassettes. Following up from our well received Tape Cassette 1, we've updated the plugin with a sleek interface and more changes under the hood too.

Along with a brand new selectable Type 1 Cassette Impulse Response (IR), we've improved the saturation algorithm, wow & flutter engine and implemented real sampled tape noise, all which results in a wonderfully warm and more accurate vintage sound. In addition to this you now have two VU meters to monitor your audio as well as selectable oversampling. Specifics are listed below:

  • Selectable Type 1 Cassette Impulse Response (IR)
  • Dynamic saturation curve algorithm implementing hysteresis and including oversampling
  • Wow & Flutter engines rebuilt to focus on smoother emulation
  • Real sampled noise from a Type 1 Cassette
  • Low Pass range increased down to 5kHz

domingo, 7 de junio de 2020

Ton-Geraet 1 (SyS TG1)

SyS TG1 features a dual-voice architecture with wave-morph sequencing, frequency modulation, and a few other interesting sound-shaping tools. SyS TG1’s main standout feature is the wave-morph sequencer which draws inspiration from the legendary SID sound chip which was used in Commodore 64 home computers. The sequencer included in SyS TG1 mimics the behavior of the SID chip’s generic wavetable sequencer but without its 8-bit limitations. The wave-morph sequencer will smoothly morph between waveform shapes as the sound is playing, resulting in a uniquely complex sound character with plenty of overtones and subtones.

SyS TG1 comes with a range of other interesting synthesis features, too. There’s the 12-bit low-pass filter inspired by the Akai S-1000 hardware sampler. A dual LFO unit is installed for handling modulation, along with per-voice DADSR envelopes. Things get even more interesting with the “Stoerstrahlung” button which emulates the unstable behavior of analog gear. As the developers at SyS Audio Research describe it, this control simulates the way in which music generated by analog instruments and sequencers would sound completely different after playing continuously for several hours. 
Another handy option for sonic manipulation comes in the form of SyS TG1’s multiple oscillator routing modes. The mixing-routine switch on the back of the GUI is used to choose between additive, subtractive, inverse subtractive, and “multiply” routing for the two voltage-controlled oscillators.


Fury-800, a freeware emulation of the Korg Poly-800.
Its digitally controlled oscillators, noisy paraphonic filter, and the even more noisy pseudo-stereo chorus effect, all add up to create these wonderfully lo-fi, unstable sounds that almost sound as if they were captured from a VHS tape. Add some dusty plate reverb to the Poly-800’s output, and you’re in 80s synthwave heaven.You get all the synth engine features of the original and a few smart add-on options like the “God Mode” for full polyphony and 64 voices of polyphony with full velocity support.

sábado, 30 de mayo de 2020


LatticeReverb is a reverb using lattice structure. Equipped with 16 delays per channel.
Lattice Reverb is based on a reverb algorithm which uses the all-pass filter lattice topology and a delay grid with sixteen all-pass filters per channel. That’s the technical part of it, and I have to admit that I don’t understand any of it. The bottom line is, Lattice Reverb is a reverb plugin that uses some advanced mathematical algorithms to process sound.

The types of effects you can achieve with Lattice Reverb range from glitchy echoes and pitch-shifted delays to huge dark reverb and pure chaos. You can get some totally crazy sounds out of it.

martes, 26 de mayo de 2020


twinPhaser it's a double (left and right channel) phasing effect . Very low resources taken.
  • Two channel settings for left and right.
  • Frequency, rate, depth, feedback and mix amount for each channel.
  • Enhancement effect by channel with accent for left, right or balanced.
  • Pan mirror for symmetrical balancing.
  • Bypass the plugin up to an audio signal threshold. Set this threshold on the bottom-right corner.
  • Few presets.


This virtual bass module features 36 tuned 808 bass sounds created using analog synthesizers, digital sine waves, guitar amps and other fancy gear.

martes, 19 de mayo de 2020

SaschArt ReverseDelay

ReverseDelay offers three delay controls – Pan Width, Feedback, and Frequency. Dry and Wet signals can be mixed independently, and the Delay Rate parameter can be specified precisely with note length and Normal, Dotted, Triplet, or host tempo sync options.
The plugin’s user interface is minimalistic in design, and it consumes “extremely low” system resources.

miércoles, 6 de mayo de 2020

vMPC2000XL - An MPC2000XL emulator

vMPC2000XL plugin is a close emulation of the Akai MPC2000XL sampler. The software doesn’t emulate the signal path of the original hardware, so it doesn’t color the sound per se. However, it simulates the MPC’s digital voice filter. According to the info provided by the developer, this aspect of the emulation was “tweaked by ear” to resemble the hardware as closely as possible. On the other hand, the internal circuits are not emulated, so the samples won’t sound different simply because you’re playing them via this plugin. 
More importantly, though, vMPC2000XL closely recreates the workflow of the Akai MPC2000XL hardware. Every menu screen and software feature is modeled after the original instrument. As a result, you’re getting an authentic Akai MPC2000XL experience in software format.

Moss Equalizer

Moss Equalizer works with FFT (Fast Fourier Transform) algorithms and is capable of steep frequency adjustments – from -150dB up to +60dB in the frequency domain of 10Hz to 20kHz.

With such a wide range for adjustments, the Range control in Moss Equalizer is particularly helpful. It lets you specify the minimum and maximum amplitude manually, in dB. Furthermore, the FFT algorithm can be adjusted manually as well with the provided FFT Size control.

Below it, you can choose a visual theme for the interface. Other options include Logarithmic Level and Spline Curves display, a Limiter, a Bypass switch, and a Dry/Wet mix knob for blending dry and equalized signals to taste.

An exciting feature we rarely see in other equalizer plugins is the comb filter modeling. Dialed in purposefully, it is capable of creating a vocoder-like effect. This is accomplished by using frequency characteristics that visually resemble a comb with sharp teeth, so to say. Its peak frequencies are tuned according to musical tonalities and their respective overtones.

Another useful and innovative feature is the ability to load frequency response files. The custom .MEB file format is a plain text file that can be edited with any text editor. The developer has provided a set of example files with comb filter characteristics to help new users explore the plugin’s musical filtering abilities more easily.

What’s even more interesting is that you can load frequency characteristics with a MIDI controller via regular CC mapping. This way, you can actually “play” the comb filters, not unlike a real vocoder.

martes, 18 de febrero de 2020



15 Presets to use in Insert + 15 Preset to use with FX Sends
Plates - Rooms & Halls
Adjustable Room Size
Hi Frequency Damping Control
Mono - Stereo or Reverse Stereo
Image Control
Dry Volume - Wet Volume
Input & Output VU Meters

jueves, 16 de enero de 2020


BAT-S12 is a drum machine for music production!

This VST has 12 slots that load .wav and .aif files!
Each slot counts with:

- body controls
- start and end adjustment knobs
- attack and release
- pitch station
- stereo delay
- filter
- reverb
- pan
- gain
- mute


martes, 7 de enero de 2020

SN05-G Brickwall Limiter

SN05-G is a straightforward sample peak brickwall limiter best suited for mix bus as the final sound-processing insert in the signal chain, but it can be easily used to treat individual channels as well. Its features are intentionally sparse, so you may concentrate on the sound rather than the tool.