martes, 11 de mayo de 2021


Monster Drum is a collaboration of multiple indonesian producers and comes with multiple kits & routable outputs for Win 32/64 bit & MacOS.

Download instructions, download links and tutorials are on the manufactorers site below (you probably need to turn on some translator since the website seems only to be in indonesian):

DDMF Tube Preamp

Circuit-modeled analog saturation effect developed by Philipp Bulling (aka phi-L Audio).

Tube Preamp emulates the distortion characteristics of an analog tube amplifier while letting the user customize the simulated tube circuit. 

Tube Preamp stands out as one of the most “tweakable” saturation plugins on the market. You can manually adjust and fine-tune almost every virtual component of the modeled tube circuit.

The user can quite easily edit the values of the simulated capacitors, resistors, and other components. Each component is controlled by a tiny knob that directly adjusts its value.

Nembrini Minotaur Centaur Clon

 Clon Minotaur Transparent Overdrive is modeled on The Klon Centaur* a guitar overdrive pedal developed between 1990 and 1994. The Clon Minotaur is characterized as a "transparent" overdrive, meaning it adds gain to the signal without significantly altering the tone of the guitar.

Depending on the settings of the control knobs, the Clon Minotaur Transparent Overdrive can act mostly as a clean boost, adding mostly volume and minimal coloring to the sound. This can be used to drive the input valve stage of the virtual amplifier to use the characteristic distortion sound of an overdriven guitar amp.


TAL-Filter-2 is a host synced filter module with different filter types, panorama and volume modulation possibilities. This can be used for tremolo or trance gate effects. Panorama modulation maybe is useful to pan your percussion, hats or sound effects in the stereo room for more interesting rythms and sounds.

  • Different modulation types: LP 12dB, BP 12dB, HP 12dB, Pan, Volume
  • Super clean SVF filter with diode clipper in the feedback path. Capable of self oscillation.
  • Easy to use spline editor.
  • Stereo offset for modulation when in filter mode.
  • Host sync with different sync options (normal, dotted...)
  • Trigger button sets the modulation position to the start without lose host sync. Can be automated.
  • Legacy Mode: Just for backward compatibity. Please don't use if you create something new.
  • File based presets.

miércoles, 28 de abril de 2021


sweepDelay it's an advanced delay with two resonant filters that are modulated in frequency. Extremely low resources taken!

Use sweepDelay if you want your delay to sound special.  

  • Two resonant filters that are modulated in frequency, one on each channel.
  • Lowpass and highpass filters.  
  • Link for modulation to Pan Width, Feedback, Dry and Wet Mix.
  • Visual modulation position. 
  • Host sync delay rate. 
  • Rich rates: triplet and dotted.
  • Auto bypass when no input signal.
  • Ping pong, delay play on alternate left-right.
  • Ping pong rates enhanced: normal, triplet and dotted (period between left and right)

jueves, 1 de abril de 2021

SpikeQ Transient Shaper

 SpikeQ is a frequency based transient shaper.

As a distant cousin of Drum Snapper, it features the same attitude for increasing the Attack of a source, but expands it with the ability to enhance certain frequency areas on the attack portion of a sound.

Do you have a source that is too buried in a mix?

Do you want to make certain frequencies pop?

SpikeQ enables you to add huge boosts of eq but not making them too boomy and loose (in the low end) or too splashy (in the high end).

  • It features 4 semi-parametric eq bands (low and high shelves and 2 peak bands);
  • 2x Amount to use on sources with low dynamic range or to have extreme effects;
  • A Clipper to avoid big spikes on the audio;
  • Oversampling for the clipper section, to avoid aliasing;
  • Attack and Release controls to shape the behavior of the transient shaper;
  • Output gain (pre-clipper);
  • Dry/Wet control to mix between the processed and unprocessed signal;

miércoles, 17 de marzo de 2021

T-Force Delay

 T-Force Delay is a dual mode delay effect device. It can be used to add an echo effect to your sound. Its feedback signal can be modulated with filters and a degrader, to emulate the old vinage style analog tape echo effects. It can produce simple stereo delays, but also can be switched to ping pong mode for that typical left/right pingpong echo effect. it  also has a flanger to create some crazy flanger effects on the feedback signal.

miércoles, 3 de marzo de 2021

Burier Saturation

 Burier is a saturation/filter combo.

Burier has a large central “BURY” knob controlling the amount of saturation applied. Below that is a mix dial to blend the wet/dry signal, an output dial, and a link switch that links the output gain to the BURY level. When linked, the output dial will adjust automatically to compensate for any level adjustments you make. The filter section features IIR (Infinite Impulse Responses) low cut and high cut filters.

Inphonik PCM2612 Retro Decimator Unit

PCM2612 Retro Decimator Unit is a free bitcrusher effect. It is based on Inphonik’s previously released RYM2612 Iconic FM Synthesizer plugin, which emulates the Sega Genesis sound chip.

The PCM2612 is based on the PCM playback feature of Inphonik’s RYM2612 Iconic FM Synthesiser. The RYM2612 is an emulation of Yamaha’s YM2612 sound chip famously used in the Sega Genesis.

The PCM2612 has a large central knob that controls the amount of 8-bit decimation applied to the source. Below is a mono switch, a dry/wet mix knob, and an output filtering switch. The output filtering switch lets you choose between the Crystal Clear digital output and the Legacy line output of the Sega Genesis Model 1 output circuit.

Low Wave Studios Track24

Track24 focuses on tape saturation without the more mechanical artifacts like wow/flutter.

Technically, that should mean you get the warmth without any of the other noise. Track24 has a tone section offering four different filter presets inspired by two different tape machines.

Type I is a preset created from a Swiss-made tape machine running at 30ips. The second preset, Type II is based on a Japanese tape machine running at 30ips. The same Japanese machine was used to create Type III, this time running at 15ips. There is a Neutral preset, which is a completely flat response.

Texture slider:  When you apply saturation, you are adding harmonics that warm or thicken the original tone. There are even and odd harmonics, and some analog gear will add more evens than odd or vice versa. In simple terms, even harmonics can feel like adding warmth, support, and stability, much like playing octaves on a keyboard. Odd harmonics can be a bit brighter and grittier. Being able to control that texture with a simple slider is a nice touch.

You also get a pair of high and low-pass filters that are pre-saturation, which means they are shaping the incoming signal. There is a 4X oversample button to help avoid aliasing, although it may introduce slight latency issues. Lastly, there is a dry/wet mix control to blend the clean and saturated signals.

martes, 16 de febrero de 2021


 FreeverbToo is a studio-quality reverb plugin based on the Schroeder/Moorer algorithm.

  • Graphical user interface / easy handling.
  • Better reverb quality and less CPU-usage than the original freeverb.
  • Adjustable gate for gated reverb.
  • Direct visualization of reverb parameters.
  • Freeze mode.
  • 32 bit processing.
  • Support for sampling rates up to 192 kHz.

lunes, 15 de febrero de 2021

Big Apple Compressor

The Big Apple plugin is a feed-forward dynamic range compressor based on the ideal VCA mathematical model. This audio processor allows you to use the parallel compression mixing technique (also known as New York compression) in your everyday work. The parallel compression works inline without any additional routing inside your DAW.

The "Big Apple" plugin also available as a simple unit!


Harmonic enhancer. 

  • Polyphonic pitch tracking to boost the signal with harmonically matching content.
  • Real-time synthesis of octave and interval shifts.
  • Separate interval controls for left and right channel to enhance the stereo field.
  • Smoothing control regulates the compromise of tracking speed and accuracy.
  • Dropdown menu to compensate tracking latency and report it to the host.
  • Visualizations to illustrate the boost signal.
  • Supported sample rates: 44.1, 48, 88.2, 96, 176.4 and 192 kHz.