sábado, 30 de mayo de 2020

Latticereverb

LatticeReverb is a reverb using lattice structure. Equipped with 16 delays per channel.
Lattice Reverb is based on a reverb algorithm which uses the all-pass filter lattice topology and a delay grid with sixteen all-pass filters per channel. That’s the technical part of it, and I have to admit that I don’t understand any of it. The bottom line is, Lattice Reverb is a reverb plugin that uses some advanced mathematical algorithms to process sound.

The types of effects you can achieve with Lattice Reverb range from glitchy echoes and pitch-shifted delays to huge dark reverb and pure chaos. You can get some totally crazy sounds out of it.

https://ryukau.github.io/VSTPlugins/manual/LatticeReverb/LatticeReverb_en.html


martes, 26 de mayo de 2020

twinPhaser

twinPhaser it's a double (left and right channel) phasing effect . Very low resources taken.
  • Two channel settings for left and right.
  • Frequency, rate, depth, feedback and mix amount for each channel.
  • Enhancement effect by channel with accent for left, right or balanced.
  • Pan mirror for symmetrical balancing.
  • Bypass the plugin up to an audio signal threshold. Set this threshold on the bottom-right corner.
  • Few presets.
https://vst.saschart.com/twinphaser_allpass_free_vst_make_music


SUB BASS 808

This virtual bass module features 36 tuned 808 bass sounds created using analog synthesizers, digital sine waves, guitar amps and other fancy gear.

https://hexloops.com/xsub-plugin



martes, 19 de mayo de 2020

SaschArt ReverseDelay

ReverseDelay offers three delay controls – Pan Width, Feedback, and Frequency. Dry and Wet signals can be mixed independently, and the Delay Rate parameter can be specified precisely with note length and Normal, Dotted, Triplet, or host tempo sync options.
The plugin’s user interface is minimalistic in design, and it consumes “extremely low” system resources.

https://vst.saschart.com/reverse_delay_ping_pong_pan_lowpass_stereo_enhanced


miércoles, 6 de mayo de 2020

vMPC2000XL - An MPC2000XL emulator

vMPC2000XL plugin is a close emulation of the Akai MPC2000XL sampler. The software doesn’t emulate the signal path of the original hardware, so it doesn’t color the sound per se. However, it simulates the MPC’s digital voice filter. According to the info provided by the developer, this aspect of the emulation was “tweaked by ear” to resemble the hardware as closely as possible. On the other hand, the internal circuits are not emulated, so the samples won’t sound different simply because you’re playing them via this plugin. 
More importantly, though, vMPC2000XL closely recreates the workflow of the Akai MPC2000XL hardware. Every menu screen and software feature is modeled after the original instrument. As a result, you’re getting an authentic Akai MPC2000XL experience in software format. 

http://www.izmar.nl/index.php



Moss Equalizer

Moss Equalizer works with FFT (Fast Fourier Transform) algorithms and is capable of steep frequency adjustments – from -150dB up to +60dB in the frequency domain of 10Hz to 20kHz.

With such a wide range for adjustments, the Range control in Moss Equalizer is particularly helpful. It lets you specify the minimum and maximum amplitude manually, in dB. Furthermore, the FFT algorithm can be adjusted manually as well with the provided FFT Size control.

Below it, you can choose a visual theme for the interface. Other options include Logarithmic Level and Spline Curves display, a Limiter, a Bypass switch, and a Dry/Wet mix knob for blending dry and equalized signals to taste.

An exciting feature we rarely see in other equalizer plugins is the comb filter modeling. Dialed in purposefully, it is capable of creating a vocoder-like effect. This is accomplished by using frequency characteristics that visually resemble a comb with sharp teeth, so to say. Its peak frequencies are tuned according to musical tonalities and their respective overtones.

Another useful and innovative feature is the ability to load frequency response files. The custom .MEB file format is a plain text file that can be edited with any text editor. The developer has provided a set of example files with comb filter characteristics to help new users explore the plugin’s musical filtering abilities more easily.

What’s even more interesting is that you can load frequency characteristics with a MIDI controller via regular CC mapping. This way, you can actually “play” the comb filters, not unlike a real vocoder.

http://stone-voices.ru/vst/moss_equalizer?lang=en


martes, 18 de febrero de 2020

DigiVerb

Reverb

15 Presets to use in Insert + 15 Preset to use with FX Sends
Small-Medium-Large-XLarge-Infinite
Plates - Rooms & Halls
Adjustable Room Size
Hi Frequency Damping Control
Mono - Stereo or Reverse Stereo
Image Control
Dry Volume - Wet Volume
Input & Output VU Meters

https://www.mbaudiolab.com/free-digiverb.html


jueves, 16 de enero de 2020

BAT-S12

BAT-S12 is a drum machine for music production!

This VST has 12 slots that load .wav and .aif files!
Each slot counts with:

- body controls
- start and end adjustment knobs
- attack and release
- pitch station
- stereo delay
- filter
- LFO
- reverb
- pan
- gain
- mute

FREE PRODUCT by beatassist.eu!

https://www.beatassist.eu/bats12.htm



martes, 7 de enero de 2020

SN05-G Brickwall Limiter

SN05-G is a straightforward sample peak brickwall limiter best suited for mix bus as the final sound-processing insert in the signal chain, but it can be easily used to treat individual channels as well. Its features are intentionally sparse, so you may concentrate on the sound rather than the tool.

https://senderspike.wordpress.com/2020/01/02/sn05g-brickwall-limiter/


lunes, 16 de diciembre de 2019

GVST

GVST’s plug-ins (by Graham Yeadon) are designed by to be simple, light-weight and efficient, although some are more ambitious and some more experimental and include amongst others a Chorus, Compressor, Delay, Gate and several Filter effects.

https://www.gvst.co.uk/index.htm



lunes, 2 de diciembre de 2019

Buzz Cut

Buzz Cut is an audio clipping plugin designed for ease of use and great sound. The intuitive scrolling waveform display gives a clear visual depiction of the processing and makes the settings easy to dial in. The “HQ” mode offers a cleaner sound for when hard, digital clipping produces too many artifacts. While mixing, Buzz Cut works great for leveling off drums and percussion while retaining the impact of the transients. In a mastering context, clipping with Buzz Cut can allow the perceived volume of the audio to be increased without raising the peak levels.

https://www.gmhaudio.com/buzzcut


A1StereoControl

With my A1StereoControl plugin you will be able to expand or limit the STEREO WIDTH of your tracks using only one single knob. This powerful technique can be used on single tracks or groups tracks while mixing or even on a master bus in final mastering situations.
As many experienced mixing & mastering engeneers worldwide are complaining, stereo-expansion can have unwanted side-effects. Especially the bass frequencies should normally be simple mono.
As you may guess, my plugin has also a solution for this problem. The integrated "Safe Bass" algorithm centers all bass frequencies below a adjustable value right back into the middle of the stereo field. This gives your tracks the solidity and definition you want while preserving maximum transpancy and sharpness. Similar techniques were used by professional studio producers over ages
with either expansive hardware devices like elliptical equalizers or even advanced m/s-processors. With my plugin you will be able to manage this complicated task with a minimum effort.

http://www.alexhilton.net/A1AUDIO/index.php/a1stereocontrol


sábado, 30 de noviembre de 2019

Vocal King

Vocal King Plugin: Dynamic effect guaranteed to help instruments or vocals sit in the mix! Used in several studio's around the world. One of the best character compressors!

  • The pres compressor knob is the main work horse of the Vocal King. Turning the pres knob up turns up the gain and brings out the presence in the vocal along with giving it a smooth compression. Low cut, tighten, and bass works with the pres compressor to help take out the mud without making the vocal sound too thin. The crispy knob give highs some sparkle that many will find satisfying. Final compressor gives that extra compression to the vocal to make it sound thick. DB output turns the volume down. Use the power switch to quickly hear the difference between dry and processed. A, B, C, D, modes, I will let you find out what that means. The meters show gain reduction after signal is past 0db.



VK-2knob: The simple version of Vocal King. Great for compression any signal.

jParaComp: A dedicated stereo/parallel compressor.

jEq15Comp: Easy EQ the sound with the 15 band graphic equalizer. Afterwards, compress the signal.

https://www.jhudstudio.com/paid-plugins